![]() One of my favorite pictures is The Trouble With Angels. Can you talk about the archetypes of femininity you used? The Met Gala theme this year was “Heavenly Bodies: Fashion and the Catholic Imagination.” In The Misandrists, the use of clothing and iconography - the nun imagery and the schoolgirl imagery - and how both relate to certain institutions is really interesting. LaBruce spoke with the Voice recently about the Catholic imagery of The Misandrists, the old and new schools of gay culture, and what queer films he’s been into lately. The Misandrists mixes nunsploitation with political discursiveness LaBruce, never one to back down from critique, confronts the left’s shortcomings (with regard to gender, queerness, and class) with wit and verve and a healthy dose of vulgarity. And in his most recent film, the 1999-set The Misandrists (in theaters today), he presents a lesbian separatist group in a country called “Ger(wo)many” whose feminist and down-with-capitalism ideals become irreconcilable with their own eventually exposed hypocrisy. In Gerontophilia (2013), he spins a Harold and Maude–ish gay relationship as a treatise on assimilation and healthcare. In Hustler White (1996), he shows a disabled man having penetrative sex. ![]() The provocations of the Canadian director Bruce LaBruce are proudly, defiantly political. Bruce LaBruce’s new movie, “The Misandrists,” is a genre piece that confronts the left’s shortcomings.
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